1685-1766 French Jean Marc Nattier Gallery Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.  Related Paintings of Jean Marc Nattier :. | daughter of Louis XV and wife of Duke Felipe I of Parma | Manon Balletti | dite autrfois Madame de France | Madame Bouret as Diana | known as Madame Henriette represented as Flora in |
Related Artists:
Vladimir Tatlin
1885-1953,Ukrainian sculptor and painter. After a visit to Paris (1914), he became the leader of a group of Moscow artists who sought to apply engineering techniques to sculpture construction, a movement that developed into Constructivism. He pioneered the use of iron, glass, wood, and wire in nonrepresentational constructions. His Monument to the Third International, commissioned by the Soviet government, was one of the first buildings conceived entirely in abstract terms and was intended to be, at more than 1,300 ft (400 m), the world's tallest structure. A model was exhibited at the 1920 Soviet Congress, but the government disapproved of nonfigurative art and it was never built. After 1933 Tatlin worked largely as a stage designer.
Arthur Melville,ARSA,RSW,RWS
1855-1904
Basawan
Indian Miniaturist, active ca.1556-1600,Indian miniature painter. One of the great talents to flourish under the emperor Akbar (reg 1556-1605), he was a prolific painter who contributed to virtually all the great illustrated manuscripts executed in the imperial workshops over a span of some 40 years. While most Mughal artists were concerned with the importance of line, colour and surface pattern, Basawan, with a greater understanding of the techniques of imported European works, developed a palette closer to that of European oil painting and dissolved outlines to create greater three-dimensionality. In his work, surface patterns are subservient to a dramatic spatial penetration of the picture plane. These traits were quite new within both Indian and Islamic traditions, and Basawan led the vanguard in adopting them. His work is remarkable also for the complexity of his compositions, his skill at giving roundness and density to his figures and his sensitive portrait-like faces.